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1Welcome to the Village, an apartment building in Brooklyn that appears like any other from the outside but is quite unique inside. The people who reside here have built a bonded family of friends and neighbors.
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A streetwise hustler is pulled into a compelling conspiracy after witnessing the suicide of a girl who looks just like her.
Jeremiah is an American television series starring Luke Perry and Malcolm-Jamal Warner that ran on the Showtime network from 2002 to 2004. The series takes place in a post-apocalyptic future where most of the adult population has been wiped out by a deadly virus.
Working for the FBI’s Deep Cover Operations division, Martin Odum can transform himself into a different person — whether it’s an assignment as a Serbian extremist, a corrupt Chicago police officer, a British special forces colonel, or a legendary computer hacker. But when he learns that his life, itself, may be a lie, he faces the demands of his job and a desire to solve the mystery of his identity. And given the choice between the two, Odum doesn’t always make the right decision.
From the producers of “Homeland,” “Legends” is based on Robert Littell’s award-winning book.
A sharp detective with a messy life, DCI Vera Stanhope patrols her “patch” of northeast England, pursuing the truth in cases of murder, kidnapping, and blackmail. Vera is obsessive about her work and faces the world with caustic wit, guile and courage.
Jack Irish is a man getting his life back together again. A former criminal lawyer whose world imploded, he now spends his days as a part-time investigator, debt collector, apprentice cabinet maker, punter and sometime lover – the complete man really. An expert in finding those who don’t want to be found – dead or alive, Jack helps out his mates while avoiding the past. That is until the past finds him.
With narrative driven exclusively by the detectives themselves, each episode ventures deep into the mind of a homicide detective as they describe in vivid detail the one case forever ingrained in their memory.
In the early 1980’s, AIDS emerged and quickly became an epidemic. Those responsible for public safety failed. People were kept in the dark, afraid to speak out. Ignorance, arrogance, politics and economics all lead to betrayal, to cover-up, to scandal. Unspeakable is told from the perspective of two families caught in a tragedy that gripped a nation, as well as the doctors, nurses, corporations and bureaucracy responsible.
Inspired by the award-winning documentary, this medical drama is set in the busiest and most notorious ER in the nation where the extraordinary staff confront a challenged system in order to protect their ideals and the patients who need them the most.
Married is a half hour comedy about being miserably in love. Russ and Lina Bowman can barely remember what life was like before kids, debt, and suburbia rained on their romance — but every once in a while, in between the arguments about their declining sex life and who’s driving carpool, they are reminded what drew them together in the first place — they’re best friends. The show also features Russ and Lina’s friend AJ, who is recently divorced and pretending he’s over his wife, and their other friend Jess, who is married to a much older man who can’t keep up with her.
Crash Canyon is a Canadian animated series. It tells the story of the community living at the bottom of a canyon. The Wendell family is looking for an original holiday by caravan but their trip ends sooner than expected at the bottom of a canyon in Alberta, Canada. Canyon walls are too high to climb and there is no way out. Soon they find out there is a whole community of 25 survivors from previous crashes down there. Dollars are not accepted and they use golf tees as a currency.
The Covert Investigations Unit (CIU) risks going undercover to infiltrate and bring down criminal organizations. In this new style of short-term, high-intensity undercover work, each covert “play” is crafted quickly and executed at an even faster pace. Placed into various worlds of crime without a safety net, the cops are in constant danger, as they repeatedly go off the grid. Wearing wires, coaxing confessions, and setting up stings, the cops of the CIU must think quickly, talk smoothly, and rely on pure instinct. They slip in and out of characters so often that, sometimes, they lose track of who they really are.
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