Summer Heights High is an Australian television mockumentary series written by and starring Chris Lilley. It is a parody of high-school life epitomised by its three protagonists: effeminate and megalomaniacal “Director of Performing Arts” Mr G; self-absorbed, privileged teenager Ja’mie King; and disobedient, vulgar Tongan student Jonah Takalua. All played by Lilley, the characters never interact. It lampoons Australian high school life and many aspects of the human condition and is filmed in a documentary style, with non-actors playing supporting characters.

Following a similar format to Lilley’s previous series, We Can Be Heroes: Finding The Australian of the Year, Lilley plays multiple characters in the show. Filmed in Melbourne at Brighton Secondary College, the series premiered on 5 September 2007 at 9:30 pm on ABC TV and continued for eight weekly episodes until 24 October 2007. Each episode was also released as a weekly podcast directly after its screening via both the official website and through any RSS podcast client in either WMV or MPEG-4.

Summer Heights High was a massive ratings success for the Australian Broadcasting Corporation, and was met with mostly positive critical reaction. In 2008, the series won a Logie Award for Most Popular Light Entertainment/Comedy Program.

Yūri Katsuki carried all of Japan’s hopes on his shoulders to win at the Gran Prix Finale ice skating competition, but suffered a crushing defeat. He returns home to Kyushu and half feels like he wants to retire, and half feels like he wants to continue ice skating. Suddenly the five-time consecutive world championship ice skater Victor Nikiforov appears before him with Yuri Plisetsky, a young Russian figure skater who is already defeating his seniors. Victor and both Yuris take up the challenge on an unprecedented Gran Prix series.

June and Oscar live a comfortable but very predictable wedded life when suddenly they find themselves in a completely unexpected situation, raising questions about love and marriage.

Leave It to Beaver is an American television situation comedy about an inquisitive and often naïve boy named Theodore “The Beaver” Cleaver and his adventures at home, in school, and around his suburban neighborhood. The show also starred Barbara Billingsley and Hugh Beaumont as Beaver’s parents, June and Ward Cleaver, and Tony Dow as Beaver’s brother Wally. The show has attained an iconic status in the US, with the Cleavers exemplifying the idealized suburban family of the mid-20th century.

The show was created by writers Joe Connelly and Bob Mosher. These veterans of radio and early television found inspiration for the show’s characters, plots, and dialogue in the lives, experiences, and conversations of their own children. Leave It to Beaver is one of the first primetime sitcom series written from a child’s point-of-view. Like several television dramas and sitcoms of the late 1950s and early 1960s, Leave It to Beaver is a glimpse at middle-class, white American boyhood. In a typical episode Beaver got into some sort of trouble, then faced his parents for reprimand and correction. However, neither parent was omniscient; indeed, the series often showed the parents debating their approach to child rearing, and some episodes were built around parental gaffes.

In 1983, three hapless guys from San Francisco are lured from their sex and drugs lifestyle to the countryside to grow marijuana. They find themselves stuck in a run-down cabin in the middle of nowhere, with harsh and unfriendly growing conditions, nosy neighbours, dangerous locals, and menacing law enforcement.

Mike Tyson is taking the fight from the boxing ring to the streets … by solving mysteries! Aided by the Mike Tyson Mystery Team — the Ghost of the Marquess of Queensberry, Mike’s adopted Korean daughter and a pigeon who was once a man — Mike Tyson will answer any plea sent to him.

In a working-class neighborhood outside Los Angeles, Mike and Peggy raise eight boisterous boys. There are 10 people, three bedrooms, one bathroom and everyone in it for themselves.

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The offbeat adventures of 10-year-old Cricket Green, a mischievous and optimistic country boy who moves to the big city with his wildly out of place family – older sister Tilly, father Bill and Gramma Alice.

A ’90s-set single-camera comedy about a hip-hop-loving Asian kid growing up in suburban Orlando, being raised by an immigrant father obsessed with all things American and an immigrant mother often bewildered by white culture.

An animated comedy focusing on the downtrodden creatures native to Earth’s least-habitable environment: New York City. Whether it’s lovelorn rats, gender-questioning pigeons or aging bedbugs in the midst of a midlife crisis, the awkward small talk, moral ambiguity and existential woes of non-human urbanites prove startlingly similar to our own.

WaitressRachel,isnitbusyatheropenallnightdiner,thereforehastimetocreatesketchestostaveofftheboredom.While,us,theviewingpublic,lightsleeperslikeme,obviously,joinRachelinhercomedyfantasyworld.Ialsodreamupfunnysituations,butdon’thaveakillerjoblikeRachel.Creamandsugar?WrittenbyThomasL.Miletto