A ’90s-set single-camera comedy about a hip-hop-loving Asian kid growing up in suburban Orlando, being raised by an immigrant father obsessed with all things American and an immigrant mother often bewildered by white culture.
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My Secret Identity was a Canadian television series starring Jerry O’Connell and Derek McGrath. Originally broadcast from October 9, 1988 – May 25, 1991 on CTV in Canada, the series also aired in syndication in the United States. The series won the 1989 International Emmy Award for Outstanding Achievement in Programming for Children and Young People.
Outgoing 13-year-old Sydney is on the fast track to growing up, despite the goodhearted efforts of her protective father, Max. As Sydney attempts to spread her wings and make more decisions for herself, Max does everything he can to rein her in and keep her his little girl. But in so doing, his mother, Judy, is reminded of his own antics at Sydney’s age, and the parallels — illustrated by comical flashback sequences starring a young Max — are both amusing and enlightening.
People are not born equal, a realization that 4-year-old Midoriya Izuku faced when bullied by his classmates who had unique special powers. Izuku was one of the rare cases where he was born with absolutely no unique powers. This did not stop Izuku from pursuing his dream, a dream of becoming a great hero like the legendary All-Might. To become the great hero he hopelessly wants to become, he now will join the ranks of one of the highest rated “Hero Academies” in the country: UA. With the help of his idol All-Might, will he be able to claim the ranks and become a true hero?
Max Headroom is a British-produced American satirical science fiction television series by Chrysalis Visual Programming and Lakeside Productions for Lorimar-Telepictures that aired in the United States on ABC from March 1987 to May 1988. The series was based on the Channel 4 British TV pilot produced by Chrysalis, Max Headroom: 20 Minutes into the Future. The series is often mistaken as an American-produced show due to the setting and its use of an almost entirely US cast along with being broadcast in the USA on the ABC network. Cinemax aired the UK pilot followed by a six-week run of highlights from The Max Headroom Show, a music video show where Headroom appears between music videos. ABC took an interest in the pilot and asked Chrysalis/Lakeside to produce the series for US audiences.
The show went into production in late 1986 and ran for six episodes in the first season with eight being produced in season two.
Brooke McQueen, a popular cheerleader at Jacqueline Kennedy High School, and Sam McPherson, the editor of the school paper, are polar opposites. When their single parents unexpectedly meet and get engaged, Brooke and Sam have to deal with their new situation on top of regular teenage girl problems.
Karen Best has a big life. She’s a big girl with a big personality and a big love of Chardonnay, which occasionally, causes her to make some big mistakes with men. But the biggest thing about Karen is her big heart, a heart she uses to excel at her job as a counselor at a group home for young adults with Down syndrome located in an old brownstone in New York City.
Six years before Saul Goodman meets Walter White. We meet him when the man who will become Saul Goodman is known as Jimmy McGill, a small-time lawyer searching for his destiny, and, more immediately, hustling to make ends meet. Working alongside, and, often, against Jimmy, is “fixer” Mike Erhmantraut. The series will track Jimmy’s transformation into Saul Goodman, the man who puts “criminal” in “criminal lawyer”.
Boston Public is an American drama television series created by David E. Kelley and broadcast on Fox. It centered on Winslow High School, a fictional public high school located in Boston, Massachusetts. The show was named for the real public school district in which it takes place. It featured a large ensemble cast and focused on the work and private lives of the various teachers, students, and administrators at the school. It aired from October 2000 to January 2004. Its slogan was “Every day is a fight. For respect. For dignity. For sanity.”
Keegan Deane’s staggering lack of discretion and inability to self-censor land him the law cases that nobody else will touch. He always tries to do the right thing, but at the same time struggles to save himself from the many self-destructive elements that plague his own life, including women and gambling.
Jim Jefferies, an edgy, foul-mouthed stand-up comedian from Australia, in his mid-30s and living in LA, is endeavoring to make his life and career more “legit,” only to find it a difficult, uncomfortable uphill struggle every step of the way. Jim is encouraged in his quest by Steve, his neurotic best friend and roommate, a cyber-law library salesman who struggles to stay on his feet in the wake of a divorce, and Steve’s brother Billy, who suffers from advanced staged Muscular Dystrophy and is confined to a wheelchair.
