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A prominent Boston family attempts to redefine itself in the wake of a chilling discovery that links their recently deceased patriarch to a string of murders spanning decades — amid the mounting suspicion that one of them may have been his accomplice.
48 Hours is an American documentary television series that airs on CBS. The series has been broadcast on the network since January 19, 1988.
The series airs Saturday nights at 10 p.m. /9 p.m. as part of the network’s placeholder Crimetime Saturday block; as such, the series is currently one of only two remaining first-run prime time programs airing Saturdays on the major U.S. broadcast television networks, along with Univision’s Sabado Gigante. The program sometimes airs two-hour episodes or two episodes in a row on Saturday night depending on the subject involved or to counterprogram other networks.
Girlfriends is an American comedy-drama sitcom that premiered on September 11, 2000, on UPN and aired on UPN’s successor network, The CW, before being cancelled in 2008. The final episode aired on February 11, 2008.
When Girlfriends returned in fall 2007 for its eighth season, it became the longest-running live-action sitcom on network television that was on air that year, as well as one of the highest-rated scripted shows on television among African American adults and women 18-34, including its spin-off The Game.
‘Black Work’ is the story of Jo Gillespie, a woman who’s husband is shot dead in the line of action, in his job as a undercover cop. Jo, a police officer herself soon has to confront issues in her marriage and family life in order to discover who really killed her husband.
When a young boy vanishes, a small town uncovers a mystery involving secret experiments, terrifying supernatural forces, and one strange little girl.
“Stockholm: Lost Identity” narrates over 13 chapters with almost surgical detail the criminal, judicial and media research about the disappearance of a young woman by a network of trafficking. An attorney general, an undercover agent and a journalist will be immersed in a police plot that mixes suspense, drama and action where law and justice are two different sides of the same coin.
Damages is an American legal thriller television series created by the writing and production trio of Daniel Zelman and brothers Glenn and Todd A. Kessler. The plot revolves around the brilliant, ruthless lawyer Patty Hewes and her protégée, recent law school graduate Ellen Parsons. Each season features a major case that Hewes and her firm take on, while also examining a chapter of the complicated relationship between Ellen and Patty. The first two seasons center around the law firm Hewes & Associates. Later seasons center more on Patty and Ellen’s relationship as Ellen begins to distance herself from Hewes & Associates and begins an independent career.
Dr. Eva Fletcher is the newly-elected President of the fictional Georgia A&M University. Upon arriving, Eva is charged with saving the prestigious HBCU from bankruptcy and her twenty-year marriage from crumbling while managing a tumultuous relationship with her rebellious only daughter. A diverse group of freshman also promises to keep Eva’s hands full.
The Real Ghostbusters is an American animated television series spun-off from the Ghostbusters franchise. The series ran from 1986 to 1991, and was produced by Columbia Pictures Television, DiC Enterprises, and Coca-Cola Telecommunications. “The Real” was added to the title after a dispute with Filmation and its Ghost Busters properties. The series continues the adventures of paranormal investigators Dr. Peter Venkman, Dr. Egon Spengler, Dr. Ray Stantz, Winston Zeddemore, their secretary Janine Melnitz and their mascot ghost Slimer.
There also were two ongoing Real Ghostbusters comics, one published monthly by Now Comics in USA and the other published weekly by Marvel Comics in the United Kingdom, and a popular toy line manufactured by Kenner.
After long and grueling hours immersed in brutal crime investigations, lead detective Choi Young Jin must face the particular horrors of singlehandedly raising her daughter Ha Eun. Any way you look at it, Young Jin’s got her work cut out for her, but it’s only a matter of time before her professional and personal worlds collide in new and disastrous ways.
