Coupling is a British television sitcom written by Steven Moffat that aired on BBC2 from May 2000 to June 2004. Produced by Hartswood Films for the BBC, the show centres on the dating and sexual adventures and mishaps of six friends in their thirties, often depicting the three women and the three men each talking among themselves about the same events, but in entirely different terms.
The series was inspired by Moffat’s relationship with producer Sue Vertue, to the extent that they gave their names to two of the characters. Coupling is an example of the “group-genre”, an ensemble show that had proven popular at the time. Critics compared the show to the American sitcoms Friends and Seinfeld.
The critical reaction was largely positive, and the show was named “Best TV Comedy” at the 2003 British Comedy Awards. The show debuted to unimpressive ratings, but its popularity soon increased and by the end of the third series the show had achieved decent ratings in the UK. The series began airing on PBS stations and on BBC America in the United States in late 2002 and quickly gained a devoted fanbase there as well. The show is syndicated around the world. Short-lived American and Greek adaptations were briefly produced in 2003 and 2007 respectively.
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Wacky Races is an American animated television series produced by Hanna-Barbera. The series, inspired by the 1965 slapstick comedy film The Great Race, features 11 different cars racing against each other in various road rallies throughout North America, with each driver hoping to win the title of the “World’s Wackiest Racer.” Wacky Races ran on CBS from September 14, 1968, to January 4, 1969. Seventeen episodes were produced, with each episode featuring two different races.
The cartoon had an unusually large number of regular characters, with twenty-three people and animals spread among the 11 race cars. Reruns of the series currently air several times a day on Cartoon Network’s classic animation network Boomerang.
Workaholics is an American sitcom that premiered on Comedy Central on April 5, 2011. The series is in its third season, and is predominantly written by its stars Blake Anderson, Adam DeVine, Anders Holm, and co-creator Kyle Newacheck who play, respectively, three recent college dropouts, roommates, and co-workers at a telemarketing company—and their drug dealer, in Rancho Cucamonga, California.
Jonathan Ames, a young Brooklyn writer, is feeling lost. He’s just gone through a painful break-up, thanks in part to his drinking, can’t write his second novel, and carouses too much with his magazine editor. Rather than face reality, Jonathan turns instead to his fantasies — moonlighting as a private detective — because he wants to be a hero and a man of action.
Harry Hill’s Alien Fun Capsule is a panel show that sees Harry Hill presiding over two teams tasked with saving planet earth from alien invasion! Each team must find clips, people, basically anything that is fun or funny enough for Harry to place in a capsule which, in the event that we’re invaded by aliens, we can present to them to demonstrate earthlings are good fun and therefore worthy of saving. Over a series of rounds, the two teams of two present Harry with fun stuff which Harry must adjudicate on and ultimately decide what’s in and what’s out of the Fun Capsule with the triumphant team winning bragging rights. Along the way there will be sketches, studio items and special guests. And the occasional appearance of an alien.
Mongrels, formerly known under the working titles of We Are Mongrels and The Un-Natural World, is a British puppet-based situation comedy series first broadcast on BBC Three between 22 June and 10 August 2010, with a making-of documentary entitled “Mongrels Uncovered” broadcast on 11 August 2010. A second series of Mongrels began airing on 7 November 2011.
The series revolves around the lives of five anthropomorphic animals who hang around the back of a pub in Millwall, the Isle of Dogs, London. The characters are Nelson, a metrosexual fox; Destiny, an Afghan hound; Marion, a “borderline-retarded” cat; Kali, a grudge-bearing pigeon; and Vince, Nelson’s friend, a sociopathic foul-mouthed fox.
The show is aimed at an adult audience, features “neutering, incontinence, cannibalism and catnip overdoses” and humour styles such as slapstick and farce. For example, the first episode begins with a scene in which Marion, portrayed as desperately trying to revive his deceased owner, learns she has actually been dead for four months, whereupon he casually gives his cat friends permission to eat her. Mongrels has attracted accusations of plagiarism, with claims that Mongrels stole ideas from a similar Channel 4 show called Pets.
The Amanto, aliens from outer space, have invaded Earth and taken over feudal Japan. As a result, a prohibition on swords has been established, and the samurai of Japan are treated with disregard as a consequence.
However one man, Gintoki Sakata, still possesses the heart of the samurai, although from his love of sweets and work as a yorozuya, one might not expect it. Accompanying him in his jack-of-all-trades line of work are Shinpachi Shimura, a boy with glasses and a strong heart, Kagura with her umbrella and seemingly bottomless stomach, as well as Sadaharu, their oversized pet dog. Of course, these odd jobs are not always simple, as they frequently have run-ins with the police, ragtag rebels, and assassins, oftentimes leading to humorous but unfortunate consequences.
When Jo Gang-Ja attended high school, she was notorious for fighting. She gave birth to her daughter A-Ran in her late teens and became more responsible. Her daughter A-Ran is now a high school student, but A-Ran is bullied at school. Jo Gang-Ja decides to go back to high school to protect her daughter. Jo Gang-Ja becomes a high school student again.
The series uses “mockumentary” techniques to depict the fictional, reality television-style adventures of enthusiastic professional critic Forrest MacNeil, who hosts a TV show called “Review” in which he engages in any life experience his viewers ask him to, to find out if that life experience “is any good”. Afterward, Forrest formally rates each life experience in-studio, on a one-to-five-star scale. However, Forrest’s compulsive curiosity and uncompromising commitment to the show unexpectedly backfire in ways that increasingly destroy his life as he is requested to review ‘stealing’, ‘drug addiction’, ‘being a racist’, ‘getting divorced’, ‘getting revenge’, and ‘running from the law.
