Documentary about the psychotherapist Irvin D. Yalom.
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The 2016 Reebok CrossFit Games were a grueling five-day, 15-event test to find the fittest man and woman on Earth. “Fittest on Earth: A Decade of Fitness” follows the dramatic story of the top athletes who qualified and competed and offers an inside look at what it takes to be among the world’s elite athletes, both in training and on the competition floor. The CrossFit Games challenge competitors to perform intense physical tasks, but the hardest part is sometimes mental. Athletes often learn the details of the events only minutes before they begin, and everyone handles the pressure differently. Which of these fierce competitors will rise to the top and earn the title of Fittest on Earth?
“Fittest in Dubai” is a 60 min documentary film of the first CrossFit Sanctional event in the world. First place male and female competitors qualify for a position to the CrossFit Games in the United States.
THE DWARVENAUT gives viewers a glimpse into the unique mind of Brooklyn-based artist and entrepreneur Stefan Pokorny. Director Josh Bishop weaves memories of Stefan’s tumultuous childhood with his current struggles and triumphs to paint a mesmerizing portrait. An art prodigy obsessed from a young age with Dungeons & Dragons, Stefan navigates absurd adventures—from Wisconsin to Venice to Bushwick—on a quest to bring his most personal project to life through an ambitious multimillion dollar Kickstarter campaign. Part philosopher, part jester, he preaches the virtues of fantasy gaming as a vehicle for uniting the human race on his whimsical, bizarre life’s journey.
You arrive at a secret location at a precise time, prompted by a mysterious email. You must follow the instructions closely. Once inside, disturbing visions begin. Unspeakable acts befall you—often frightening, sometimes sensual, possibly painful—each stimulating your deepest fears. And when it’s over, you are changed, abandoned, and left wondering what is real and what was merely a game.
Severin Films chief David Gregory and House Of Psychotic Women author Kier-La Janisse query a global roster of more than 60 horror writers, directors and scholars that include Eli Roth, Joe Dante, Mark Hartley, Mick Garris, Ernest Dickerson, Joko Anwar, Ramsey Campbell, David DeCoteau, Kim Newman, Jovanka Vuckovic, Luigi Cozzi, Tom Savini, Jenn Wexler, Larry Fessenden, Richard Stanley, Brian Trenchard-Smith, Brian Yuzna, Gary Sherman, Rebekah McKendry and Peter Strickland in a candid discussion of the very best portmanteaus in fright film/TV history. The film leads us from the very first examples of the anthology film in early cinema, right up to the present day – without forgetting of course the endearing impact that the likes of Vincent Price and Peter Cushing had in creating some of the most memorable classic films ever made.
Josh McDowell finds faith after enduring abuse as a child.
At the height of the Cold War, Gilligan’s Island depicted seven Americans living in an analogue of a post-apocalyptic world where the survivors have to rebuild civilization. Remarkably, the society they create is pure communist. Interviews with the show’s creator and some of the surviving actors, as well from professors from Harvard, reveal that Gilligan’s Island was deliberately designed to be dismissed as low brow comedy in order to celebrate Marxism and lampoon Western democratic constructs.
Antarctica lives in our dreams as the most remote, the most forbidding continent on Planet Earth. It is a huge land covered with ice as thick as three miles, seemingly invulnerable, cold and dark for eight months of the year. Yet Antarctica is also a fragile place, home to an incredible variety of life along its edges, arguably the most stunning, breathtaking and still-pristine place on earth. The one constant is that it is constantly changing, every season, every day, every hour. I’ve been fortunate to travel to Antarctica many times; most recently with 3D cameras, a first for the continent. The result is our new film, Antarctica: On the Edge.
Hundreds of refugee children in Sweden, who have fled with their families from extreme trauma, have become afflicted with ‘uppgivenhetssyndrom,’ or Resignation Syndrome. Facing deportation, they withdraw from the world into a coma-like state, as if frozen, for months, or even years.
Modern industrialization is no longer about steam power, ocean ships, and railways. It’s about herd immunization, the mass drugging of our population, and the industrialized production of cheap, storable food. We’ve ended up with an entire society getting sicker and sicker while the industrial powers get richer and richer.
Ever since 17-year-old Rachel Levy, an Israeli, was killed four years ago in Jerusalem by a Palestinian suicide bomber, her mother Abigail has found hardly a moment’s peace. Levy’s killer was Ayat al-Akhras, also 17, a schoolgirl from a Palestinian refugee camp several miles away. The two young women looked unbelievably alike. TO DIE IN JERUSALEM unabashedly explores the Palestinian-Israeli conflict through the personal loss of two families. The film’s most revealing moment is in an emotionally charged meeting between the mothers of the girls, presenting the most current reflection of the conflict as seen thru their eyes.
Nam-bok, a middle-aged South Korean farmer is conscripted and assigned a mission to deliver a classified military document that may decide the fate of the war. After losing it while under attack from the enemy, he then faces a teenage North Korean soldier named Yeong-gwang who happens to acquire the secret document on his way to the North.