A young, self-destructive Montana Blackfoot Indian, his mind groggy with alcohol and tormented by childhood memories, discovers that his wife has left him, taking with her his prize rifle. He sets out to find her, but what he’s really searching for is his own uncertain identity and a glimpse of salvation.
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Christmas for Miranda (Krakow) is a painful reminder of the family she never had. Her mother died when she was young, never revealing the identity of her father. But, three days before Christmas, she unexpectedly receives a clue as to the whereabouts that takes her to a beautiful New England town where she meets Ian (Matter), a young man who helps with her search. As the clues lead to her father’s identity and Miranda discovers the possibility of love in Ian, and she learns that her father lived in the small town and now she knows his family (her brother and her biological father’s wife). She faces a terrible decision… Should she share the truth and risk losing the family she has just found, or leave and keep the secret forever? This Christmas promises to be life-changing for Miranda with a new chance at life and love.
After death, people have just one week to choose only a memory to keep for eternity.
Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they’re trying hard to avoid; but to which they succumb to. This dramedy on relationships also gets a very credible performance from Paola Miraccione, who plays the tragic, albeit funny, character Egle.
Two men answer the call of the ocean in this romantic fantasy-adventure. Jacques (Jean-Marc Barr) and Enzo (Jean Reno) are a pair of friends who have been close since childhood, and who share a passion for the dangerous sport of free diving. Professional diver Jacques opted to follow in the footsteps of his father, who died at sea when Jacques was a boy; to the bewilderment of scientists, Jacques harbors a remarkable ability to adjust his heart rate and breathing pattern in the water, so that his vital signs more closely resemble that of dolphins than men (he even considers a school of dolphins as his extended family). As Enzo persuades a reluctant Jacques to compete against him in a free diving contest — determining who can dive deeper and longer without scuba gear — Jacques meets Johana (Rosanna Arquette), a beautiful insurance investigator from America, and he finds that he must choose between his love for her and his love of the sea.
Dr. Mi-Soo misdiagnoses a patient after she meets the woman’s husband, whom she assumes to be abusive. With his wife in grave condition, the man sues the hospital. Kang-Il is a widowed firefighter who overhears the situation and when he attempts to counsel the woman’s husband, he is assaulted by him. When Mi-Soo learns about the confrontation, she tries to get Kang-Il to be a character witness for her and realizes that he may also be her true love.
Orson Welles’s “Mr. Arkadin” tells the story of an elusive billionaire who hires an American smuggler to investigate his past. Welles missed the editing deadline, so the producer handed over the editing to others. Following two Spanish-dubbed versions, released in Madrid in March 1955, the first English-language version was released in London in August 1955 as “Confidential Report” but was never released in the US. The fourth version, called “the Corinth version”, was discovered in 1961 and was released in the US in 1962. Finally, in 2006, “the Criterion edit” was released; likely to remain the one closest to Welles’ intentions.
Independent TV producer Shin-Hye (UHM Jung-Hwa), self-assured housewife Mi-Yeon (MOON So-Ri), and single mom Hae-Young (JO Min-Soo) are a tight-knit group of 40-something friends going through the ups and downs of their lives and loves in modern day Seoul. This racy comedy is the latest from director KWON Chil-in, known for his frank portrayals of relationships and women’s sexuality.
Men steal for it. Nations go to war for it. The it is oil – and it grows on trees. Coconut oil is the precious lifeblood of 1870s South Seas traders. And lots of real blood will be spilled to get it! Screen royalty Burt Lancaster ist His Majesty O’Keefe in this last of three adventures that (along with The Flame and the Arrow and The Crimson Pirate) blew a revitalizing wind into the sails of the swashbucker genre. Action, cunning and derring-do are watchwords of the title seafarer as he befriends, defends and ultimately rules the islanders of exotic Yap. Lensed on gorgeus Fiji locations, grandly scored by Robert Farnon and rousingly directed by Byron Haskin, His Majesty O’Keefe delivers heroics of regal proportions.
In the small town of Rockwell, Maine in October 1957, a giant metal machine befriends a nine-year-old boy and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices.