In 1989, the schizophrenic son of a serial killer is remanded to house arrest after attacking a man, but when his allegedly-slain father reappears to him and threatens to resume killing, he must grapple with the question of what is real and how he will survive.
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A supernatural thriller set in the Western frontier of the late 1800s, The Wind stars Caitlin Gerard as a plains-woman driven mad by the harshness and isolation of the untamed land.
Awkward, but friendly and handsome bartender Joey allows a group of vacationers to seek refuge in his house on the eve of a big storm. The vacationers soon discover that there’s a crazed killer in their midst, but unfortunately are trapped inside the house by the fierce storm that’s raging outside.
It’s Halloween day in 1989 and college student Jackie Blue wants to enjoy a quiet birthday in the midst of a chaotic semester at school. Her friend Amber has other ideas and persuades Jackie to come to the annual Halloween party on campus after her shift at the local movie theater. As the night unfolds, it becomes apparent that Jackie will get more excitement than she bargained for on her birthday this year.
Mark Fisher disappeared from his home in a brilliant flash of blue light almost two years ago. His friend Seth Hampton was the last to see him alive. Now a string of grisly, violent murders leads Seth to believe that Mark is back, and something evil is living inside of him.
This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.
Every culture has one – the horrible monster fueling young children’s nightmares. But for Tim, the Boogeyman still lives in his memories as a creature that devoured his father 16 years earlier. Is the Boogeyman real? Or did Tim make him up to explain why his father abandoned his family?
When God loses faith in humankind, he sends his legion of angels to bring on the Apocalypse. Humanity’s only hope for survival lies in a group of strangers trapped in an out-of-the-way, desert diner with the Archangel Michael.
Madea and the gang encounter monsters, goblins and boogeymen at a haunted campground.
It’s a high school summer job for Julia and Alexander – the chance to earn money and work with eccentric, charismatic social studies teacher, Mr. Zenidro. But something else awaits them in the empty, yet mysterious school building. As the past and present begin to blur together so do sanity and madness, and Mr. Zenidro draws them into a lesson on history one can’t find in books.
Joe and Bunnyman’s adventure continue in a rural ghost town. Bunnyman’s blood lust knows no bounds, as he slaughters indiscriminately anything that crosses his path. Joe is all too happy to encourage his behavior, selling the dead victims as beef jerky in his local store. In addition to Joe’s body disposal problem, the local sheriff becomes suspicious with the disappearance of a few of his deputies. His investigation crosses paths with two persistent sisters, that refuse to die at the hands of Joe and Bunnyman. Some will live, and some will die, but all will be damaged..
Depressed and reeling from the recent death of his wife, Tom has built up quite a gambling debt. He goes to stay with his wealthy Aunt Florence in hopes that she will write him into her will. When a nasty creditor makes it clear that Tom is out of time, he devises a plan with Elodie, the undertaker’s daughter, to rob the graves of the rich townspeople buried in the cemetery across the road. After plundering the graves, Tom arrives back at Florence’s house and events take a dark turn. Tom begins hearing and seeing strange things that seem to coincide with the deaths of the people he robbed. Even more disconcerting… he appears to be the only one sensing the occurrences. One question lingers: Is Tom’s conscience playing a trick on him… or is he really being haunted by those he stole from?