Peter and Margaret Eastwood believe they’ve purchased their dream home to start their lives together but this house seems to be hiding something dark and terrifying in every corner.
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A father survives a plane crash in rural Appalachia, but becomes suspicious of the elderly couple who take him in to nurse him back to health with the ancient remedies.
An exploration of the making of b-movie sci-fi cult classic “The Creeping Terror” and its con-man director Art “A.J.” Nelson/Vic Savage.
A bored teen living in Santa Rosa, California, Charlotte “Charlie” Newton, is frustrated because nothing seems to be happening in her life and that of her family. Then, she receives wonderful news: her uncle (for whom she was named), Charlie Oakley, is arriving for a visit. But Uncle Charlie may not be the man he seems to be.
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist’s gofer. He’s happy there, but a messenger arrives to bring him to Arizona for his uncle’s wedding. It’s a ruse to get Axel into the family business. In Arizona, Axel meets two odd women: vivacious, needy, and plagued by neuroses and familial discord. He gets romantically involved with one, while the other, rich but depressed, plays accordion tunes to a gaggle of pet turtles
Claire and Maurice have to take the whole family to Claire’s father’s funeral. This tightly knit family is not only composed of Claire’s vegetarian son, Alex, who’s secretly fond of Maurice’s daughter, Lucie, the teenage rebel, but also Claire’s brother, a poet living under his sister’s roof; without forgetting young Prune, Claire and Maurice’s daughter, who will develop a passion for the country’s emblematic cows. They must all strive to get along during the road trip to Willouby.
Blackmailed into murdering, a casanova is presented with the opportunity of living two lives. One in which he commits the crime and the other in which he refuses and goes on the run.
Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out
A lone fisherman on his daily run finds himself lost in a thick fog which proves impossible to navigate. The worst is yet to come when his encounter with a seemingly abandoned sailboat becomes a fight for survival against an enemy unknown.
This richly earnest drama follows Geneviève, a surrogate who must reckon with her ambivalence about the pregnancy and her precarious feelings for the parents-to-be
Trish’s friends set her up on a blind-date, but when she forgets to adjust her clocks to compensate for Daylight Savings Time, she inadvertently stands her potential sweetheart up. Instead, she arrives at the venue and meets Parker, a sweet-natured but troubled paramedic who decides to play along with the oblivious Trish. The pair hit it off, but their promising romance is threatened when the case of mistaken identity is revealed.