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Rithy Panh uses clay figures, archival footage, and his narration to recreate the atrocities Cambodia’s Khmer Rouge committed between 1975 and 1979.
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In the 1970s, Richard Pryor dropped like a bomb into the sanitized landscape of American television. Raised in his grandmother’s Illinois bordello, he became famous for his expletive-filled stand-up routines about the black man trying to survive in the land of whiteys. His transition to television was stormy, and he had to battle to get every scene past the censors. The sacrifices he made to the white establishment contributed to a self-loathing that plagued him throughout adulthood. Seven marriages, and chronic drug abuse fueled endless media interest — as did Pryor’s setting himself on fire whilst freebasing cocaine. A string of friends including Whoopi Goldberg and Robin Williams recount how whenever Pryor was poised on the brink of mega success, his behavior would sabotage him — for most people to understand the comic legend you need to “omit the logic”. CN
Meru is the electrifying story of three elite American climbers—Conrad Anker, Jimmy Chin, and Renan Ozturk—bent on achieving the impossible.
Explores a series of shark attacks that happened in the same patch of ocean, in the remote islands of the Whitsunday in Australia.
In a celebration of the trans community in Puerto Rico, the fissure between internal and external is an ever-present battle. A unique exploration of self-discovery and activism, featuring a diverse collection of subjects that include LGBTQ advocates, business owners, sex workers, and a boisterous group of drag performers who call themselves The Doll House, Mala Mala portrays a fight for personal and community acceptance paved with triumphant highs and devastating lows.
Does privacy still exist in 2019? In less than a generation, the internet has become a mass surveillance machine based on one simple mindset: If it’s free, you’re the product. Our information is captured, stored and made accessible to corporations and governments across the world. To the hacker community, Big Brother is real and only a technological battle can defeat him.
Cinema Novo is a movie-essay that investigates poetically the most important movement of Latin America cinema, through the thoughts of its main auteurs: Nelson Pereira dos Santos, Glauber Rocha, Leon Hirszman, Joaquim Pedro de Andrade, Ruy Guerra, Walter Lima Jr., Paulo César Saraceni, among others.
Pigeons do somersaults in mid-flight, and there is a tight-knit community of pigeon breeders and trainers in South Central L.A. devoted to the phenomenon as a competitive sport.
Dark City Beneath The Beat is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate through music, poetry, and dance. From the city’s social climate to its creative LGBTQ community, Dark City Beneath The Beat showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence.
Elena, a young Brazilian woman, travels to New York with the same dream as her mother, to become a movie actress. She leaves behind her childhood spent in hiding during the years of the military dictatorship. She also leaves Petra, her seven year old sister. Two decades later, Petra also becomes an actress and goes to New York in search of Elena. She only has a few clues about her: home movies, newspaper clippings, a diary and letters. At any moment Petra hopes to find Elena walking in the streets in a silk blouse. Gradually, the features of the two sisters are confused; we no longer know one from the other. When Petra finally finds Elena in an unexpected place, she has to learn to let her go.
The story of Chernobyl told through a newly discovered hoard of dramatic footage filmed at the nuclear plant during the disaster and deeply personal interviews of those who were there, directed by Emmy Award-winner and Russian-speaker James Jones.