Lillie, a determined American woman, ventures overseas to join Dr. Jude at a remote medical mission in the Ottoman Empire (now Turkey). However, Lillie soon finds herself at odds with Jude and the mission’s founder, Woodruff, when she falls for the titular military man, Ismail, just as the war is about to erupt.
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In 1983, Oliver Nicholas, at thirteen, is well-poised to enter the precocious teenage world of first-sex, vodka and possible-love in New York City when he is traumatized by the stroke of his housekeeper (and only true maternal figure), a sixty-five-year-old Chilean woman named Aida. What was supposed to be an exhilarating and somewhat fearful rite of passage – diving into the exciting, fast-paced world of first experiences – quickly becomes skewed by an incomprehensible depression, and a house of interior horrors. Surrounded by women – his untraditional, Spanish, photographer mother (more interested in the role of confidante than mother) his sister, a comedic, door-slamming tormentor, marked by her parent’s divorce; and Aida, his silver-haired emotional focal point on the verge of death in Lenox Hill Hospital – Oliver struggles to maintain his role as “man of the house” and his sanity.
Professional baduk (go) player Tae-seok loses a high-stakes game to infamous underground gambler Sal-soo, and ends up framed for the murder of his own brother and locked up in prison. He vows revenge and trains ferociously. After serving his seven-year sentence, he gets in touch with his brother’s former associate “Tricks,” hermit and blind master player “The Lord,” and skillful junkyard owner Mok-su; together, they begin formulating a plan to get back at Sal-soo and his men. Tae-seok slowly penetrates Sal-soo’s inner circle and his gambling joint, and eliminates Sal-soo’s men one by one. But Sal-soo discovers Tae-seok’s true identity and engages him in one final game that will seal the fates of the two men involved.
Nirmal loses his family in a man-made disaster, he starts the journey of seeking answers asking for accountability which leads him to a deadly path. The journey brings out the extraordinaire out of an ordinary man.
Lee is a world-weary American woman who arrives in an Italian city. Her tangles with hotel staff, incessant smoking and her disregard of the persistently ringing telephone hint at her volatility brewing beneath the surface. Between fitful naps, she wanders the streets, snapping pictures of refugees as if her camera were both weapon and olive branch. Struggling to confront her demons, Lee resolves to help a beautiful young woman in need.
When she’s written out of her show, her relationship and her seemingly perfect life, reality TV star Ann Stanway leaves Hollywood and finds herself marooned in Amish country. But when Ann is taken in by the owner of a nearby Inn, and meets a handsome young architect, she discovers that the reality she left isn’t nearly as perfect as the one she’s found.
Mason Storm, a ‘go it alone’ cop, is gunned down at home. The intruders kill his wife, and think they’ve killed both Mason and his son too. Mason is secretly taken to a hospital where he spends several years in a coma. His son meanwhile is growing up thinking his father is dead. When Mason wakes up, everyone is in danger – himself, his son, his best friend, his nurse – but most of all those who arranged for his death
It’s 1938, but Stan doesn’t know the war is over; he’s still patrolling the trenches in France, and shoots down a French aviator. Oliver sees his old chum’s picture in the paper and goes to visit Stan who has now been returned to the States and invites him back to his home.
Bennett and Marissa are the sole survivors of the final suicidal act of their religious cult. Confused, relieved, angry and unfulfilled, the two followers each question one another’s motives for joining, living, and surviving under the control of their Leader. Faced with their own doubts, Bennett and Marissa must confront their feelings and fears while deciding what life to live after near-death.