Hartenstraat is set in the Nine Streets district of Amsterdam. It is a village in a big town and everyone seems to be looking for love. As the womanizer Bas, seniors Bep and Aart and the couple Rein and Jacob. The only one who is not looking for love is Daan. He lives here with his daughter Saar in Hartenstraat, where he has his own business as a caterer. Then Katje appears in his life. The pretty fashion designer opens a fashion boutique next door to Daan. When her catering unexpectedly cancels just before opening her shop Katje must appeal to Daan. That is asking for trouble since the two opposite each other in everything. Yet Katje also secretly has an eye on her neighbor, especially now that her current relationship with Thomas is not going strong.

Two best friends (Kate and Chloe) embark on a cross country trip back to their hometown to attempt to win a pageant that eluded them as children.

In the year of 754 AD, during a time of epic battles and bloodshed, the legend of the pagan warrior king, REDBAD, is born, but so is a new weapon against his people: Christianity. Redbad must ultimately unite a Viking army powerful enough to defeat the seemingly invincible Franks.

Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.

Recently released from prison, French chef Jacques pursues an obsession — to leave his past behind and work for the great British chef Victor Ellwood. He knows Victor had an affair with his mother and may even be his dad. Working for iron-fisted Victor is back-breaking, but his existence is softened by the presence of a curious girl living in the downstairs flat. As he falls in love with her, he realises she not only has an aversion to restaurants, but food of all kinds. Is her eating disorder a force too resilient for anything, even love to cure?

Takaki and Akari are two classmates in elementary school. During their time together they have become close friends. Their relationship is tested when Akari moves to another city because of her parents’ jobs. Both of them struggle to keep their friendship alive, as time and distance slowly pulls them apart. When Takaki finds out that he is moving further away, he decides to visit Akari one last time.

The life of Nynne is based on GUCCI bags and Chanel products, carpaccio and countless visits to cafés, loose relationships with men who screams ‘good luck!’ when they cum, unused memberships to the local gym and a lenient relationship with mixing champagne, white wine, red wine, cognac, gin, tequila and beer. It goes with out saying: Nynne has yet to experience her Kodak moment.

After a botched scam, Clóvis bumps into Lohane, his estranged foster sister. In a bind, they soon realize the only way out is to band together.

Mr. Money is holding another Tenka’ichi Budokai and Mr. Satan invites everyone in the world to join in. Little does he know that Bojack, an ancient villain who has escaped his prison, is competing. Since Goku is currently dead, it is up to Gohan, Vegita, and Trunks to defeat Bojack and his henchman.

In a remote corner of England’s Peak District, a mysterious skull is unearthed. But even weirder is that Lady Sylvia steals the skull for use in worshiping – very erotically – her pagan god, The White Worm, who hungers for the taste of virginal flesh.

Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.