Women are left behind to work a family farm during the Great War.
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A dynamic young entrepreneur finds herself locked in a hotel room with the corpse of her dead lover. She hires a prestigious lawyer to defend her and they work together to figure out what actually happened.
With their father in prison for murder, siblings Alison and Brandon are instantly considered suspects when a string of killings plagues their town, and they must fight to clear their names.
Popular romance novelist Izzi Simmons (Tony(R) winner Ali Stroker) spends every Christmas at her favorite snowy bed & breakfast, but this year, she’s faced with an impending deadline and a severe case of writer’s block. Luckily, inspiration strikes in the unlikely form of the B&B’s new owner Matt (Daniel DiTomasso), who bears an uncanny resemblance to the handsome hero from Izzi’s novels. As both partake in the lodge’s annual itinerary of Christmas activities, Izzi’s writer’s block is cured and the first pages of her and Matt’s own love story may just be beginning.
Candy (Breyana Braswell) is cheated out thousands of dollars by her lover Bruce (Diego Ward). Candy is having to question her sanity and perception due to being psychologically manipulated by her lover and friends. Meanwhile, Candy’s son James (Nicholas Sikes) suffers from emotional trauma as he bears witness to fact-checking Candy’s twisted ways and high virtues.
A “romantic comedy” based loosely on the suicide of the poet Henrich von Kleist in 1811.
For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.
After his cousin commits suicide, Stewart Cooper begins to unravel a web of shaming, lies, and secrets. Driven by his own emotional turmoil, he turns the tables on his cousin’s ex and the man she had an affair with — her church pastor.
A moving, nostalgic portrait of the men behind the golden age of chanbara (sword-fighting dramas and films) that goes behind the scenes of the distinctive film genre for which Japan is most famous, with dominant performance by real-life kirare-yaku Seizo Fukumoto.