Continuing the story of Aurora Greenway in her latter years. After the death of her daughter, Aurora struggled to keep her family together, but has one grandson in jail, a rebellious granddaughter, and another grandson living just above the poverty line.
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Christina Noble overcomes the harsh difficulties of her childhood in Ireland to discover her destiny on the streets of Saigon. A true story.
Tetsuo Togami (Shono Hayama) is in the 2nd grade of high school. Due to a fight, he is hospitalised. There, he meets Maiko Takashiro (Chika Arakawa). She has an incurable disease. She also has a hearing disability and is unable to talk. At first, Tetsuo becomes embarrassed, but begins exchanging text messages with Maiko. Through the text messages he begins having feelings for her. Even after his discharge from the hospital, he goes to visit Maiko everyday. They promise to go out together on Maiko’s birthday, but her condition worsens.
A man, who witnessed his wife’s suicide, gradually cures his emotional scars through a fateful encounter with a woman in coma…
When the body of the executive of hockey Benoit Brisset is found on the billboard of the border of Quebec and Ontario, the jurisdiction of the crime is shared between the two police forces and detectives David Bouchard from Montreal and Martin Ward from Toronto are assigned to work together. With totally different styles, attitudes and languages.
Oh Mal-Soon (Nah Moon-hee) is a 74-year-old widow that realizes she is becoming a burden on her family. As she is roaming the streets, she comes across a photo studio and decides to dress up for a self- portrait. When she walks out of the photo studio, she mysteriously turns back into her twenty year old self. Making the most out of this one in a lifetime opportunity, she changes her name to Oh Doo-Ri (Sim Eun-kyeong) and decides to make the most out of her youth.
An insane surgeon’s obsession with an actress leads him to replace her wounded pianist’s hands with the hands of a knife murderer which still have the urge to throw knives.
A bored wife, who is planning to run away from her minister husband, is taken hostage in a bank robbery. However, she sees the thrill in being involved in the chase and becomes an accomplice to helping the younger robber escape his pursuers. As things progress, she learns he pulled the robbery to get enough money to help his pregnant girlfriend leave a home for unwed mothers. The two have a brief flirtation, but it is clear the housewife just needs something to enliven her life.
A teenager’s life is disrupted when her mother falls in love with an alien.
Leela becomes an outlaw when she and a group of ecologically-minded feminists attempt to save an asteroid of primitive life forms and the Violet Dwarf star from being destroyed, while Fry joins a secret society and attempts to stop a mysterious species known as the “Dark Ones” from destroying all life in the universe.
BRUTAL centers on Trevor (Morgan Benoit), abducted from his backyard at the age of fifteen by an unseen alien presence. Forced into nearly two decades of no-holds-barred fights against other abductees inside an unearthly mixed martial arts arena, Trevor has evolved from an innocent boy into a brutal fighting machine. Derek, (Jeff Hatch) an ambulance chasing lawyer, is the latest lab-rat abductee forced to fight Trevor. As the two men exchange ever-increasing beating over the course of weeks and months, the brutality of their existence and the true nature of their humanity is slowly revealed. With elements of THE TWILIGHT ZONE and THE PRISONER, BRUTAL explores through science fiction, allegory and psychological drama, man’s violent nature and our propensity to commit unthinkable acts of violence against each other. Yet through this prism of brutality our capacity to love one another, even in the worst of circumstances is celebrated.
A lonely beach on the southernmost coast of Brazil is the scene for two friends, on the brink of adulthood, to explore their understanding of themselves and one another. Martin (Mateus Almada) has been sent by his father to retrieve what appears to be an inheritance-related document from the family of his recently deceased and estranged grandfather. Tomaz (Mauricio Jose Barcellos) accompanies him, seemingly hoping to regain some of their former closeness. The two boys shelter themselves in a glass house, in front of a cold and stormy sea.
