Alvin York a hillbilly sharpshooter transforms himself from ruffian to religious pacifist. He is then called to serve his country and despite deep religious and moral objections to fighting becomes one of the most celebrated American heroes of WWI.
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Edgar and Charlie, two young brothers that have a very close relationship, try to cope with a violent father still in mourning for his dead wife.
Refugees are captured by border patrol officers as one woman escapes to find herself surviving on her own in a foreign land.
Kanto, 14, a descendant of Japan’s indigenous Ainu people, decides to visit a hole in the forest — a path to the other side of the world where dead people live, hoping to see his deceased father.
Yoon-hye likes Da-joo more than just as a friend but denies her feelings for the sake of their friendship. After some events following Da-joo being introduced to a boy, Yoon-hye is not able to hide her emotions anymore.
Keith, a small-time drug dealer is under house arrest at the home of his father in Baltimore. He re-enters a community scarred by unemployment, neglect and deeply entrenched segregation. There, he pushes back against his surrounding limitations as he tries to find a way out of his own internal prison.
Emily arrives in Miami with aspirations to become a professional dancer. She sparks with Sean, the leader of a dance crew whose neighborhood is threatened by Emily’s father’s development plans.
Andie is an outcast, hanging out either with her older boss, who owns the record store where she works, or her quirky high school classmate Duckie, who has a crush on her. When one of the rich and popular kids at school, Blane, asks Andie out, it seems too good to be true. As Andie starts falling for Blane, she begins to realize that dating someone from a different social sphere is not easy.
Eight close friends soak up their last day of summer together on the beach before parting ways for college.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.