In the dark heart of a sprawling, anonymous city, “Terminal” follows the twisting tales of two assassins carrying out a sinister mission, a teacher battling a fatal illness, an enigmatic janitor and a curious waitress leading a dangerous double life. Murderous consequences unravel in the dead of night as their lives all intertwine at the hands of a mysterious criminal mastermind hell-bent on revenge.

Detective Breslin crosses paths with Calloway, a ruthless hacker desperate to find his wife, who has been kidnapped by a drug cartel. When Calloway escapes police custody, Breslin joins forces with a no-nonsense female cop to reclaim his prisoner. But is Calloway’s crime-boss father somehow involved in this explosive situation?

Based upon Tyler Perry’s acclaimed stage production, Madea’s Family Reunion continues the adventures of Southern matriarch Madea. She has just been court ordered to be in charge of Nikki, a rebellious runaway, her nieces, Lisa and Vanessa, are suffering relationship trouble, and through it all, she has to organize her family reunion.

Lynn and Lucy are lifelong best friends, their relationship as intense as any romance. Neither has ventured far from where they grew up. Lynn, who married her first boyfriend and whose daughter is fast growing up, is delighted when the charismatic, volatile Lucy has her first baby boy. Lucy, however, does not react to being a mother as Lynn expects. Soon, they find their friendship is tested in extreme circumstances.

In the future, an outbreak of canine flu leads the mayor of a Japanese city to banish all dogs to an island that’s a garbage dump. The outcasts must soon embark on an epic journey when a 12-year-old boy arrives on the island to find his beloved pet.

Following the launch of her new novel, 35-year-old writer Kate Conklin is invited to speak at her alma mater by her mentor and former professor. After accepting the invitation, Kate finds herself deeply enmeshed in the lives of an eccentric group of college students.

Eddie returns to his home town on the south coast of New South Wales. Having left for the city without explanation a few years previously, he tries to pick up the pieces of his life and fit back in to the lives of those he left, including his ex-girlfriend Tully and brother Pete.

Set against the glamorous backdrop of Britain’s roaring ’20s, The Laureate tells the story of young British War Poet Robert Graves, who is married with four children when he meets and becomes romantically involved with Laura Riding, a writer from America. Defying the conventions of polite society, Riding moves in with Graves and his wife living as a menage a tois. Then with the arrival of strappingly handsome Irish poet Geoffrey Phibbs, the arrangement becomes a menage a quatre. But soon tensions and rivalries become so fraught that Graves is a suspect for attempted murder.

Adolf Hitler faces himself and must come to terms with his infamous career in an imaginary post-war subterranean bunker where he reviews historical films, dictates his memoirs and encounters Eva Braun, Josef Goebbels, Hermann Göring and Sigmund Freud.

D-Day: A British paratroop squad are dropped off-target and wiped-out. Private Johnny Barrows is the only survivor; inexperienced, scared, lost behind enemy lines. Johnny must grow up and become a man on his perilous journey to safety.

Young teenager, Sam Witwicky becomes involved in the ancient struggle between two extraterrestrial factions of transforming robots – the heroic Autobots and the evil Decepticons. Sam holds the clue to unimaginable power and the Decepticons will stop at nothing to retrieve it.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.