In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.
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Veronique is a beautiful young French woman who aspires to be a renowned singer; Weronika lives in Poland, has a similar career goal and looks identical to Veronique, though the two are not related. The film follows both women as they contend with the ups and downs of their individual lives, with Veronique embarking on an unusual romance with Alexandre Fabbri, a puppeteer who may be able to help her with her existential issues.
FIFTY captures a few pivotal days in the lives of four Nigeria women at the pinnacle of their careers. Meet Tola, Elizabeth, Maria and Kate four friends forced at midlife to take inventory of their personal lives, while juggling careers and family against the sprawling backdrops of the upper middle-class neighbourhoods of Ikoyi and Victoria Island in Lagos. They live and work in the resurgent, ever-bustling, 24-hour megacity of Lagos, the commercial capital of Africa’s biggest and most vibrant economy.
The corrupt Lord Ambrose D’Arcy steals the life’s work of the poor musical Professor Petry. In an attempt to stop the printing of music with D’Arcy’s name on it, Petry breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petry returns to terrorize a London opera house that is about to perform one of his stolen operas.
Rattled by the prospect of becoming a dad, a 40-year-old filmmaker begins to consider what “manhood” really means for him, prompting him to pursue an array of interests and reexamine his views — which were shaped by his father.
Comédienne hantée par son rôle de Nathalia Petrovna, l’héroïne de la pièce de Tourguéniev Un Mois à la campagne qu’elle répète difficilement, Marcelline tente de noyer ses angoisses dans une piscine sur un air de Glenn Miller. Mais rien n’y fait. Rien n’empêche le temps de courir et de lui imposer ses quarante ans et toujours pas d’enfant.