A Japanese cop, Shiro, and his partner Ray are after a bunch of drug dealers. But they are betrayed by an insider and Ray is killed. Shiro follows the murderer, a sadistic drug lord, up to Singapore.
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Diamonds are stolen only to be sold again in the international market. James Bond infiltrates a smuggling mission to find out who’s guilty. The mission takes him to Las Vegas where Bond meets his archenemy Blofeld.
Öllers and Niederländer have everything under control. For the past six years, the two successful business consultants have been traveling through some of the seediest countries around the world in order to satisfy their clients greed. They have achieved almost everything, but there is one career move left: to finally become a partner in the company! When they find out that their team colleague Hellinger made the cut, they are at their wits end. Up or Out is the name of the game. The fact that Hellinger falls from an office window for no explainable reason doesnt seem to help the situation. Of all people, the young and ambitious Bianca steps in for Hellinger. Öllers and Niederländer are irritated, sarcasm spreads, neuroses break out. The fight for survival within the company takes its toll the AGE OF CANNIBALS dawns.
Because he’s the oldest, Jake has been the man of the house, since his parents divorce. When Mom starts seeing Sam, who always seems to be trying some new way to get rich quick, and declares he’s the man of the house now, Jake puts up with it. Until he discovers Sam’s illegal activities.
Alice and Jack are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. But when cracks in their idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can’t help questioning exactly what they’re doing in Victory, and why.
Angela (Shannon Elizabeth) is throwing a decadent Halloween party at New Orleans’ infamous Broussard Mansion. But after the police break up the festivities, Maddie (Monica Keena) and a few friends stay behind. Trapped inside the locked mansion gates, the remaining guests uncover a horrifying secret and soon fall victim to seven vicious, blood-thirsty demons.
When they’re hired to recover the lost treasure of Columbus, married scuba divers Sebastian (Chris Carmack) and Dani (Laura Vandervoort) think they’ve hit the jackpot. But as they get closer to the fortune, the couple begins to suspect their employers have their own agenda. Hitting upon the real plan, the two come to the chilling realization that they may be expendable and that there’s much more than riches at stake.
A two-bit promoter tries to take a women’s wrestling team to the top.
When a strange signal pulsates through all cell phone networks worldwide, it starts a murderous epidemic of epic proportions when users become bloodthirsty creatures, and a group of people in New England are among the survivors to deal with the ensuing chaos after.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
It’s 1986, tormented teenager Henry is struggling with his sexuality and abusive home life. Henry sits in his closet contemplating suicide. In a flash of light he is transported to 2016 where he meets teenager Ben now occupying his room 30 years later.
Recently released from military prison with a dishonorable discharge and a broken heart, John Hidell decides to travel to New York City. However his preparations are complicated by an unexpected relationship.
