3D printing is changing the world – from printing guns and human organs to dismantling the world’s industrial infrastructure by enabling home manufacturing. The 3D Printing revolution has begun. Who will make it?
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A woman awakens with amnesia after a suicide attempt, and her quest to find the meaning of life introduces her to a great spiritual philosophy. Her self-discovery becomes a real-life primer in new age consciousness.
Jack Whitehall invites his notoriously stuffy father onstage in London’s West End for a Christmas comedy extravaganza, complete with celebrity guests.
A classic of the silent age, this film tells the story of the doomed but ultimately canonized 15th-century teenage warrior. On trial for claiming she’d spoken to God, Jeanne d’Arc is subjected to inhumane treatment and scare tactics at the hands of church court officials. Initially bullied into changing her story, Jeanne eventually opts for what she sees as the truth. Her punishment, a famously brutal execution, earns her perpetual martyrdom.
Every year an average of one thousand American police officers are arrested for misconduct or corruption, and the abuse of power is a legacy that stretches back to the dawn of US policing. BLUE CODE OF SILENCE tells the true story about a crooked police officer in 1970s New York who brought down the most corrupt police unit in American history. Who was detective Bob Leuci?
At first gas station attendant Poet is happy when the rockers gang “Hell’s Angels” finally accepts him. But he’s shocked when he learns how brutal they are – not even murder is a taboo to them. He gets himself in trouble when the leader’s girlfriend falls in love with him – and he welcomes her approaches.
A horrible accident causes a tectonic shift between high school best friends Zach and Josh, spiraling them in different directions. Set in 1990s suburbia, Super Dark Times is a thriller that explores the twilight zone between adolescence and adulthood, lust and love, bravery and fear, good and evil.
Honing his craft as an indie filmmaker in Germany in the early 90s, Uwe Boll never could have imagined the life that lay before him. From working with Oscar-winning actors and making films with US$60million budgets to having actors publicly disparage him and online petitions demanding he stop making films, Boll continued to work; he has a filmography of 32 features, a career that has led to his new life as a successful high-end restauranteur. Already a cult legend, he will be remembered forever in the film world; for some, as a modern-day Ed Wood, who made films so bad, they’re good, while for others, a prolific filmmaker who came from a small town in Germany and never compromised his integrity while forging his own unique Hollywood trajectory.
Alyssa Milano, who also serves as producer, stars as Jane Claremont, who, as a young girl, would accompany her mother Vivian (Stockard Channing) to Tiffany’s in New York every Sunday and bring along her imaginary friend, Michael. Now, 20 years later, Jane is a successful businesswoman, set to marry Hugh (Ivan Sergei), her handsome fiancé, until Michael (Eric Winter) suddenly reappears.