After being around for centuries and now living in the modern age, vampire Adam is a rockstar that cannot grow accustomed to the new modern world with all of its new technology. While he lives in Detroit, his wife Eve lives in Tangier, flourishing in the new world. But when she senses Adam’s depression with society, she gets on a plane and goes to see him. Shortly after Eve gets there, her little sister, Ava, shows up after 87 years and disrupts the couple’s idyll reunion.
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Mia, Lukas and Jonas always where like one heart and soul since their earliest childhood. Until three years ago when everything changed. Friendship became love that is well beyond all conventions. A Part of the society feels provoked by such kind of companionship and meets them with some lack of understanding to say the least. Even their parents aren’t really fond of the situation. Once a year, the trio makes a trip. During which they try to let emotion flow as they come, not having to fear the reactions of others. Now there is the time again for such a trip. And that is where the film starts. After renting a mobile home the journey starts as usual. Only one thing different this time, Jonas was diagnosed with cancer in terminal state a few months ago. The three of them know that this might very well be the last trip they will ever make. Regardless, Mia and Lukas try their best for Jonas not to think of the inevitable. Sadly the vow to spend the last trip only in joy, fails.
Rachel’s life will never be the same: after being abducted, and forced into the world of high stakes betting, Rachel must decide to play, or be played. Could you inflict pain on another in order to survive? From director Craig McMahon (Machined) comes a look into the gentlemen’s club SportKill.
Patty McCormack’s “Mommy” is psychotically obsessed with her 12-year-old daughter Jessica Ann — so much so that when she finds out Jessica didn’t get the “Student of the Year” award again, she solves the problem by murdering the teacher who didn’t recommend her for it. She dismisses the killing as inconsequential (“a minor accident”), but the homicide detective assigned to the case suspects her immediately, and an insurance investigator who also suspects her tries to get close to Jessica Ann to find out what really happened.
Na-mi, a transfer student, becomes a laughingstock on her first day of school because of her strong southern dialect. Six girls jump in to help the new kid adapt to the new environment, and the girls come to call their circle of friends “Sunny.”
Business executive Jazmin Carter is known for two things: turning fledgling businesses into profit producers and avoiding Christmas in Harlem, the neighborhood where she grew up.
“Heart of Now” concerns a young woman with a profound longing for a sense of family. Amber is devastated after her boyfriend abandons her because she’s pregnant. She is whisked across a contrast of urban, natural and emotional landscapes. She confronts the deeper issues at the very heart of her suffering, and finds transcendence in a brief moment at the very heart of now.
Chad Buckley is a horror aficionado, and he’s lonely. Chad spends his days at his struggling genre video store arguing with his only regular customer, Sam. When an unsuspecting applicant shows up, Chad begins to teach him about the rules of horror and his video store at large, much to the chagrin of Sam. During Chad’s on-boarding process, we weave in and out of different hilarious horror shorts, each one geared at a different set of horror tropes. As this new applicant learns the ropes, he begins to suspect Chad of something sinister, but we quickly learn that he may have a secret of his own.
In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.
