The Singer is a film about the all-time favourite singer in Finland, Olavi Virta. A man who rose from poverty all the way to the top and became an artist who was dearly loved by the Finnish people. A man who loved beautiful women and was loved by beautiful women. A man who enjoyed speed, American cars, applause and alcohol and who finally lost everything but his unique voice.
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Maarit Lalli film a woman who knew how to say yes, and the man who could not say no. Ricky Kalin (Antti Luusuaniemi) is a real estate agent who loves women. Annika Lahti (Pihla Viitala) is a private, not so very good one at that. Annika specializes in the detection of complex relationships, to put it nicely. Ricky is a great salesman, who has two calendars – Work calendar and the calendar for women. An assignment Annika collides with the real estate agent Stand. The apartment does not display unnecessary procrastination: Annika just wants to have sex without feelings. Ricky, this is just fine. Relationship with works by mutual cooperation and assistance agreement – until it becomes famous for the sixth time. “There is hardly anything we love to look at, either.”
One summer morning, 12-year-old Arnold Hillerman and his 17-year-old brother Eugene wake at dawn on their family’s Montana farm. In a nearby pasture, Arnold’s gun fires accidentally. His brother is killed instantly. Isolated by emotions he can’t comprehend, Arnold must now come to terms with his grieving family – including his angry father, his frightened mother, his antagonistic uncle and his gentle, straight-talking grandfather – while his family must come to terms with Arnold.
A girl who went missing after an accident returns 10 years later and reunites with her grandmother.
These are times when one civilization is replacing another. A new era is about to begin in Central Eurasia. Scythians, the proud warriors, are all but gone. The few of their descendants have become ruthless mercenary assassins, the “waves of Ares.” Lutobor, is a soldier with a difficult task at hand. He becomes involved in internecine conflicts and sets off on a perilous journey to save his family. His guide is a captive Scythian by the name of Weasel. Lutobor and Weasel are enemies. They pray to different gods but must embark on this journey together. They brave the wild steppes, moving toward the last haven of the Scythians, to what seems to be their inevitable demise…
When Emma Gardner, a whip smart NYC reporter learns of her father’s untimely death, she returns to her home town to find that the idyllic farming community of her childhood has been ravaged by drought and has become a place tormented by gangs and the ill effects of extreme poverty. She quickly figures out that her dad’s accidental death was not accidental at all. The lists of possible suspects include overly zealous environmentalists, a local war lord and other farmers jealous of her father’s outstanding reputation.
Kept locked inside the house by her father, 7-year-old Chloe lives in fear and fascination of the outside world, where Abnormals create a constant threat – or so she believes. When a mysterious stranger offers her a glimpse of what’s really happening outside, Chloe soon finds that while the truth isn’t so simple, the danger is very real.
A Farewell to Arms is a 1957 American drama film directed by Charles Vidor. The screenplay by Ben Hecht, based in part on a 1930 play by Laurence Stallings, was the second feature film adaptation of Ernest Hemingway’s 1929 semi-autobiographical novel of the same name. It was the last film produced by David O. Selznick.
In 1964, a brash new pro boxer, fresh from his olympic gold medal victory, explodes on to the scene: Cassius Clay. Bold and outspoken, he cuts an entirely new image for African American’s in sport with his proud public self confidence and his unapologetic belief that he is the greatest boxer of all time. Yet at the top of his game, both Ali’s personal and professional lives face the ultimate test.