After Fran Smith disappears one day in mysterious circumstances, Fran’s daughter Deanna and Fran’s sister, Sherrie endlessly search for her with enduring hope. The most likely suspect in Fran’s disappearance is her husband John, but without a body, neither Deanna or Sherrie can prove that murder, much less a crime, has even been committed. With the support of Sherrie, Deanna embarks on an eleven-year search to trace John’s past, eventually uncovering a 25 year-old case of a missing person that involved John’s first wife, who too, disappeared under suspicious circumstances. Using this lead, Deanna and Sherrie must use all their evidence to bring John to justice.
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Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
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