Molly (Martha O’Driscoll), her brother, Slats (Abbott), and his pal, Oliver (Costello), are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby’s progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school’s mortgage if Molly isn’t expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.

This is an intriguing avant-garde look at what motivates the leisurely classes in Portugal, for better or worse, by director Manoel de Oliveira. Set in a spacious country home peopled with a wide-ranging cast of characters, the drama begins as the friends of a widow come to console her on the loss of her husband. But at one point, the widow goes upstairs, encounters her husband, and is faced with his accusations about the past. This event and others provide the means of revealing the petty, self-serving, egocentric, and romantic pursuits of the melange of people in the house. – Eleanor Mannikka, Rovi

New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can’t be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring raid with a flame-thrower is too good to miss. His investigations soon get pretty complicated and rather too dangerous. At least along the way he does get to meet Alexis.

The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood director (Cecil B. DeThrill) is in the audience scouting for actors to be in his latest “all-talking, all-dancing, all-singing” extravaganza.

Ken Andrews (Faison) has been the orchestrator of the hazing pranks at all of his buddies’ stags – elaborate, hilarious pranks that have left many emotional scars and a few physical ones. And now today is Ken’s stag! He nervously awaits the fate that his pals surely have in store for him, comforted only by the knowledge that Carl (Pat Thornton) will be there to watch his back. That is, so long as Carl can extract himself from the Hollywood celebrity, Veronica (Amurri). Ken will soon discover that payback is worse than he could ever imagine. Written by Brett Heard

Poignant stories of homelessness on the West Coast of the US frame this cinematic portrait of a surging humanitarian crisis.

An outrageous collection of surreal, short attention span non-sequiturs largely revolving around Guitar Brother, his randy older sibling, and the pair’s portly Caucasian brother.

Perched high above it all in Denver, Joe Rogan¹s brand-new one-hour stand-up special, “Rocky Mountain High,” has a clear perspective. Tune in to find out the real meaning of infinity, why Joe will lie to you on stage and why Kim Kardashian is the most popular woman in the world. Filmed at the renowned Denver Comedy Works in downtown Denver, “Rocky Mountain High” proves if you¹re not paranoid, you¹re not paying attention.

In the year after graduating college, Izzy struggles to navigate the seemingly incessant failures of adulthood, the reality of a substandard dating pool and a debilitating fear of top-sheets, all in between X-Files marathons. Comically unsuccessful in love over the course the year, including five half-hearted relationships with astoundingly self-centered men, Izzy resigns herself to the support of her mother and sister, who are struggling with their own relationship problems. Seeing herself in them, Izzy gradually gains the confidence to be honest and vulnerable.

Fast-forward five years and things havent quite gone as the boys might have planned: Albert is now married to Tania and they are living in suburbia, both working in insurance and also trying (unsuccessfully) to have a baby; Sefa and Leilani are still together and now have two kids although despite Sefas proposal, theyre still not married. And while Sefas business is falling apart, Leilani seems to be living life to the full; Stanley is now a trainee Deacon in the Future Church; Michael has moved to Australia but the boys dont hear from him often; and Bolo has thrown in his job with Sefa and taken up work with Sione, Michaels younger brother.

WHITEY: United States of America v. James J. Bulger captures the sensational trial of infamous gangster James ‘Whitey’ Bulger, using the legal proceedings as a springboard to explore allegations of corruption within the highest levels of law enforcement. Embedded for months with Federal Prosecutors, retired FBI and State Police, victims, lawyers, gangsters and journalists, Academy Award-nominated filmmaker Joe Berlinger examines Bulger’s relationship with the FBI and Department of Justice that allowed him to reign over a criminal empire in Boston for decades. Pulling back the curtain on long-held Bulger mythology, the film challenges conventional wisdom by detailing shocking, new allegations. With unprecedented access, Berlinger’s latest crime documentary offers a universal tale of human frailty, opportunism, deception, and the often elusive nature of truth and justice.