Professor Genessier is guilt-stricken after his daughter’s face is disfigured in a car accident. He intends to rebuild his daughter’s face via grafting skin tissue; he only needs a supply of donors to experiment on.

Wealthy YouTuber Leah chooses shy youth Benji as the subject of her Brixton documentary. They fall for each other, but the desire for edgy footage leads them down a violent path.

Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

Hooligan boss Billy Evans has it all – a successful business, a beautiful family and respect on the terraces. But when he clashes with gangster Mickey over a backstreet proetection racket, Billy soon finds himself out of his depth as they look to finally settle the question – who is Top Dog?

Matt Travis is good-looking, popular, and his school’s best competitive swimmer, so everyone is shocked when he inexplicably commits suicide. As the following year unfolds, each member of his family struggles to recover from the tragedy with mixed results.

When Wyatt returns home for the holidays to try to convince his mom to sell their family ranch, an unexpected romance with handsome ranch hand Heath may throw off his plans.

A married couple attempt to improve their marriage by visiting a sex therapist who has them participate in surreal exercises designed to help with their intimacy problems.

Astrid is a comedian who makes people laugh for a living; her husband Markus is her manager and the two of them work well together. They have a nine-year-old daughter and are expecting their second child. When they learn that their child will not be born healthy, they are at first optimistic that they will be able to meet this challenge – although they have no idea what awaits them. But the closer it gets to the due date, the more Astrid begins to worry about the future of her unborn child as well as that of her family and her career. After many discussions and arguments Astrid realises that the decision that will affect all their lives must be made by her alone. What complicates matters further is the fact that, as a successful entertainer, she is in the eye of the public and the media.

Independent TV producer Shin-Hye (UHM Jung-Hwa), self-assured housewife Mi-Yeon (MOON So-Ri), and single mom Hae-Young (JO Min-Soo) are a tight-knit group of 40-something friends going through the ups and downs of their lives and loves in modern day Seoul. This racy comedy is the latest from director KWON Chil-in, known for his frank portrayals of relationships and women’s sexuality.

A mother of two inherits a home from her aunt. On the first night in the new home she is confronted with murderous intruders and fights for her daughters’ lives. Sixteen years later the daughters reunite at the house, and that is when things get strange…

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

The story of the Tuskegee Airmen, the first African-American pilots to fly in a combat squadron during World War II.