Three stories intertwine as different people deal with the challenges of living through times of crisis. An evicted mother, a banker with a conscience and a police officer who has to do his job no matter what, sing and dance in this Brechtian musical drama about the economic crisis, people’s struggle with daily life, solidarity and hope.

Due to a road rage between two buses, an accident occurs which puts the lives of its passengers in jeopardy. But the ones greatly affected by such event are a middle-aged woman named Fiesta (Eugene Domingo), an old and retired family patriarch Tonio (Leo Martinez), and a lad named Caloy (Enchong Dee). These three people are pierced through a single steel bar – a dangerous situation that even their doctors find hard to solve. But even before this unfortunate circumstance, these three have their share of ill-fated lives.

Runaway teen Lexi find herself alone and pregnant on the streets. Seemingly beyond hope, she must turn to Devon, a woman with her own demons, to help her find a way back from her past mistakes.

In 1962 England, a young couple finds their idyllic romance colliding with issues of sexual freedom and societal pressure, leading to an awkward and fateful wedding night.

A retired academic teacher tries to find his youth love after to learn he has diagnosed with Alzheimer.

Nineteen-year old Leon returns home to take care of his alcoholic mother and adjust to life as an adult after an adolescence spent in and out of foster care. Frustrated by his lack of an education and his bleak financial prospects, Leon finds solace in the boxing ring. He soon meets the rebellious and beautiful Twiggy (Sophie Kennedy Clark), who is squatting in abandoned houses to escape her family’s unfeeling affluence. As rumblings of riots begin in the streets and police and protesters engulf his neighborhood, Leon must decide whether to join his friends and fight or seek a new life with Twiggy.

Sarah seems to have found her calling working in a Liverpool care home where she has a special talent for connecting with the residents. Then, in March 2020, the Coronavirus pandemic hits.

When their abusive parents are killed in a car crash, twin sisters Rosie and Violet vow to run away to Kentucky in search of a better life. While on the road, the girls meet up with Pete, a drifter working as a grounds keeper on a derelict army base, who takes them in. While Violet falls for him, Rosie becomes increasingly angry and hostile, and the sisters’ childhood bond is eventually destroyed forever.

Into the White is an anti-war movie. High above the harsh Norwegian wilderness, English and German pilots shoot each other to the ground after a violent chance encounter. Isolated, they must fight to survive the brutal winter. Though war has made them enemies, antagonism is hard to maintain as days go by. Through mutual need, unlikely friendships bloom. Somehow, they become comrades. War, after all, is absurd.

A wedding is supposed to be a joyous occasion, but things can go awry. When an uninvited guest turns up at the church and later at the reception as well, the newly-weds’ day turns sour. Shadows of the past can blight the most sumptuous of banquets and rend the most affectionate of embraces.

Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.

Lifelong friends stumble back home after high school when word goes out on Facebook that the most popular among them has died. Old girlfriends, boyfriends, new lovers, parents, your first dead friend – how do people deal? The reunion stirs up sticky feelings of love, longing and regret, and the novelty of forgiveness, mortality and gratitude.