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A newly single New Yorker must re-locate to Florida for her dream job. She drives south with her widowed dad, her mom’s ashes in a coffee can, and a GPS with a mind of its own.
After the closure of their shipyard in Northern Spain, a few former workers: Santa, José, Lino, Amador, Sergei and Reina keep in touch. They meet mainly at a bar owned by their former colleague Rico. Santa is the most superficially confident and the unofficial leader of the group. A court case hangs over him relating to a shipyard lamp he smashed during protest against the closure. José is bitter that his wife, Ana, is employed when he is not. The gap between them is widening and he is fearful that she will leave him for a co-worker. Despite arthritic legs, Ana endures night shifts at a fish factory and thinks her looks are now lost. Not everyone seems to agree including her boss. Lino, an aging family man doggedly pursuing positions beyond his qualifications. The oldest member of the group, Amador, has degenerated into alcoholism after being abandoned by his wife; maintaining an increasingly transparent pretense that his wife will soon return from holiday.
The mating rituals of two teenage surf chicks from the southern suburbs of Sydney.Meet Sue, a teenage Australian girl in the late 70s, whose life mainly consists of doing what everyone else does – watch the surfing boys and have sex with the same surfing boys. The girls have to follow lots of strange customs, e.g. do not eat or go to the bathroom when a boy is around. Ugly girls have two choices – being bitches and hate boys, or being generally cheap and looked down upon by everyone. The afternoons are spent on the beaches, in the backseats of car or at home-alone-parties where sex and alcohol are the main ingredients. Parents and teachers are trying to straighten the kids out, but that is not easy.
Fahrije’s husband has been missing since the war in Kosovo so she sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere.
When his army unit was ambushed during the first Gulf War, Sergeant Raymond Shaw saved his fellow soldiers just as his commanding officer, then-Captain Ben Marco, was knocked unconscious. Brokering the incident for political capital, Shaw eventually becomes a vice-presidential nominee, while Marco is haunted by dreams of what happened — or didn’t happen — in Kuwait. As Marco (now a Major) investigates, the story begins to unravel, to the point where he questions if it happened at all. Is it possible the entire unit was kidnapped and brainwashed to believe Shaw is a war hero as part of a plot to seize the White House? Some very powerful people at Manchurian Global corporation appear desperate to stop him from finding out.
After losing the love of his life to a cruel Philistine prince, a young Hebrew with Supernatural strength defends his people, sacrificing everything to avenge his love, his people, and his God.
A down-on-his-luck ex-GI finds himself framed for an armored car robbery. When he’s finally released for lack of evidence–after having been beaten up and tortured by the police–he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.
Inspired by an actual friendship between the director’s mother and his mother’s best friend, ‘The Tree’ is a poignant, heart-warming story about an 88 year-old widow (Dorothy Thorp) who takes a road trip from Wamego, Kansas, back to Terre Haute, Indiana, to visit her oldest and dearest childhood friend.
Set in the immediate and random background of today’s London. THE COMEDIAN is a fresh, dramatic and funny debut feature about choices and how not to make them.
A mentally-disturbed aspiring actor returning to New York City discovers the world of social media and faces the horrifying power of the Internet.
Telmo is a retired theater director that realizes he doesn’t remember the time he spent kept in jail during the military dictatorship in Brazil. He decides to stage a play and, with threads of memory, he improvises the lines with his young cast. Telmo dives into his own history and ends up revealing for himself what, being so painful, he’d rather forget.
