A genetic engineering experiment gone horribly awry turns a large flock of docile sheep into unrelenting killing machines in this rural horror comedy directed by Jonathan King and featuring special effects designed by Weta Workshop.
You May Also Like
Marta may be an orphan, and she may be affected by a lethal illness, yet she is the most positive person one can meet. She wants a boy to fall for her. Not any boy – the most handsome of them all. One day, she may have found her match.
It’s 1984 and outside a small-town nightclub, a group of 8th graders gather, grappling with a spate of recent suicides, UFO sightings, their absentee parents, and each other.
A young Texas good ol’ boy has a knack with electronic equipment, and that talent gets him a job as a roadie with a raucous traveling rock-and-roll show.
Three men, Vijay, Siddharth, and Aashiq, travel to Kochi with their own sets of problems, where they meet a mysterious man, Scobo Johns, who proves to be a turning point in their lives.
Rachel and Anna return home two years after their mother’s death, and find the town abandoned with their house left in disgusting disarray. When Rachel begins hallucinating about their dead mother and some ancient artifact, terrifying clues begin falling into place surrounding their family’s past.
Mima Kirigoe is a singer who leaves her trio to become an actress, a career move that angers her fans, who prefer to see her as the pop idol. Plagued by self-doubt and tormented by humiliating compromises, she begins to be stalked, in her waking and sleeping moments, by an alter ego who claims to be “the real Mima”, until she collapses into madness as her coworkers are brutally slain around her.
A slasher finds the hospital where a TV newswoman is recovering from his attack.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.