A determined young woman and a damaged occultist risk their lives and souls to perform a dangerous ritual that will grant them what they want.
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Young Ganga is sold to a brothel in Mumbai in the garb of becoming an actor by her lover in the 1950s. She goes on to become the feared Gangubai – the Matriarch of Kamathipura – the champion of female emancipation and advocate of rights for sex workers in a chauvinist and narrow-minded society.
Gangjae (Park Hyuk-kwon) is leading an outwardly happy, inwardly tortuous life. Married, with a high school-aged daughter and a good job, he has achieved everything that society expects of an average middle-class man. But emotionally he is in the process of unraveling, and his well-ordered outer life is starting to show cracks as well. The plot of A Break Alone is divided between two time periods, and the film shifts restlessly back and forth between them. Ten years in the past, Gangjae meets an attractive young yoga teacher named Siyeon (Yoon Joo) and falls in love with her. They start an affair, which he manages to keep secret. But eventually she starts feeling frustrated and disillusioned with adultery (and love), and decides to marry someone else.
ANIMALS tells the story of Jude and Bobbie: a young couple that exist somewhere between homelessness and the fantasy of their imaginations. Though they masterfully con and steal in an attempt to stay one step ahead of their addiction, they are ultimately forced to face the reality of their situation when one of them gets hospitalized.
When an English cartographer must tell a Welsh village that their mountain is only a hill, the offended community sets out to change that. The film is based on a story heard by Christopher Monger from his grandfather about the real village of Taff’s Well in the old county of Glamorgan, and its neighbouring Garth Hill. However, due to 20th century urbanisation of the area, it was filmed in the more rural Llanrhaeadr-ym-Mochnant and Llansilin areas in Powys.
Eastern Cape, South Africa. A lonely factory worker, Xolani, takes time off his job to assist during an annual Xhosa circumcision initiation into manhood. In a remote mountain camp that is off limits to women, young men, painted in white ochre, recuperate as they learn the masculine codes of their culture. In this environment of machismo and aggression, Xolani cares for a defiant initiate from Johannesburg, Kwanda, who quickly learns Xolani’s best kept secret, that he is in love with another man.
When a tragic accident takes the life of her dog, Tara is forced to cancel her wedding. With a little help from above, their small town rallies together to make sure these two are able to have the wedding of their dreams.
Delivery tells the story of Kyle and Rachel Massy, a young couple who agree to document their first pregnancy for a family-oriented reality show. The production spirals out-of-control after the cameras capture a series of unexplained events, leading Rachel to believe that a malevolent spirit has possessed their unborn child.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta). When Oscar is killed by police during a bust gone bad, his spirit journeys from the past — where he sees his parents before their deaths — to the present — where he witnesses his own autopsy — and then to the future, where he looks out for his sister from beyond the grave.
A legendary American war veteran is recruited to hunt a mythical creature.
An alcoholic spends all his time spying on his neighbor, waiting for the right moment to kill him.
