Federico Fellini

Fellini – Satyricon

Fellini – Satyricon

Fellini – Satyricon

IMDb: 7.1
1969
129min

A series of disjointed mythical tales set in first century Rome.

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La Strada

La Strada

La Strada

IMDb: 8.1
1954
115min

When Gelsomina, a naïve young woman, is purchased from her impoverished mother by brutish circus strongman Zampanò to be his wife and partner, she loyally endures her husband’s coldness and abuse as they travel the Italian countryside performing together. Soon Zampanò must deal with his jealousy and conflicted feelings about Gelsomina when she finds a kindred spirit in Il Matto, the carefree circus fool, and contemplates leaving Zampanò.

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I Vitelloni

I Vitelloni

I Vitelloni

IMDb: 7.3
1953
107min

Five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the local pool hall. Federico Fellini’s second solo directorial effort (originally released in the U.S. as The Young and the Passionate) is a semiautobiographical masterpiece of sharply drawn character sketches: Skirt chaser Fausto, forced to marry a girl he has impregnated; Alberto, the perpetual child; Leopoldo, a writer thirsting for fame; and Moraldo, the only member of the group troubled by a moral conscience. An international success and recipient of an Academy Award® nomination for Best Original Screenplay, I vitelloni compassionately details a year in the life of a group of small-town layabouts struggling to find meaning in their lives.

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La voce della luna

La voce della luna

La voce della luna

IMDb: 7.1
1990
122min

Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.

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Orchestra Rehearsal

Orchestra Rehearsal

Orchestra Rehearsal

IMDb: 7.7
1978
70min

Orchestra Rehearsal (Italian: Prova d’orchestra) is a 1978 Italian film directed by Federico Fellini. It follows an Italian orchestra as the members go on strike against the conductor. The film was shown out of competition at the 1979 Cannes Film Festival. Considered by some to be underrated Orchestra Rehearsal was the last collaboration between composer Nino Rota and Fellini, due to Rota’s death in 1979.

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Fellini’s Casanova

Fellini’s Casanova

Fellini’s Casanova

IMDb: 7.1
1976
155min

Casanova is a libertine, collecting seductions and sexual feats. But he is really interested in someone, and is he really an interesting person? Is he really alive?

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Spirits of the Dead

Spirits of the Dead

Spirits of the Dead

IMDb: 6.6
1968
121min

Three directors each adapt a Poe short story to the screen: “Toby Dammit” features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his producers fawn over him. “Metzengerstein” features a Mediveal countess who has a love-hate relationship with a black stallion – who it turns out is really her dead lover. “William Wilson” tells the story of a sadistic Austrian student with an exact double whom he later kills.

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8½

IMDb: 8.1
1963
138min

With 8 ½ Frederico Fellini leaves a self-portrait where dreams and reality are a mix. With help from a most excellent cast and unique scenery this self reflecting film is one of his master works.

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La Dolce Vita

La Dolce Vita

La Dolce Vita

IMDb: 8.1
1960
174min

Episodic journey of an Italian journalist scouring Rome in search of love.

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Roma

Roma

Roma

IMDb: 7.4
1972
128min

A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens.

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Amarcord

Amarcord

Amarcord

IMDb: 8.0
1973
123min

In an Italian seaside town, young Titta gets into trouble with his friends and watches various local eccentrics as they engage in often absurd behavior. Frequently clashing with his stern father and defended by his doting mother, Titta witnesses the actions of a wide range of characters, from his extended family to Fascist loyalists to sensual women, with certain moments shifting into fantastical scenarios.

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