India
Seenu is in love with Maha but his parents fix up his marriage with Akhila. However, circumstances force him to stay silent every time he tries to reveal his love affair.
This experimental satire is a comedy of ideas about an alien in the city, who asks questions that no one has asked before. They are innocent, child-like questions, but they bring about catastrophic answers. People who are set in their ways for generations, are forced to reappraise their world when they see it from PK’s innocent eyes. In the process PK makes loyal friends and powerful foes, mends broken lives and angers the establishment. PK’s childlike curiosity transforms into a spiritual odyssey for him and millions of others. This offbeat, experimental drama is an ambitious and uniquely original exploration of complex philosophies. It is also a simple and humane tale of love, laughter and letting-go. Finally, it is a moving saga about a friendship between strangers from worlds apart.
A young photographer from Mumbai uses her mind to play games with a prominent Hindu rightist leader.
Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), a bright young scientist working as a project manager in NASA, returns on a quest to find his childhood nanny.
Radha (Naga Chaitanya) and Krishna (Samantha) are a married couple with a kid Bittu in early 1980’s. They die in an accident. Bittu (Nagarjuna) grows up and happens to see reincarnation of his father and his mother as youngsters. The rest of the story is all about how Bittu tries to unite these two youngsters. And there is another twist in the tale for which you must watch the movie on the big screen!
An overweight, young woman, who finds it hard to land a husband, learns to accept her ‘Size Sexy’ figure and leads an awareness campaign against a dubious slimness centre.
Kishanlal marries the beautiful Lachchi, but the day after the wedding, he leaves on business for five years. When Kishanlal reappears only a few days later, Lachchi is delighted, but this new Kishanlal is in fact a spirit who has taken the form of Lachchi’s husband, after having seen her by chance and fallen in love with her. Four years later, the real Kishanlal returns and the townsfolk must determine who is who.
Two blundering terrorists with lofty ideologies, but ordinary talent, on a mission to change the world.
Anjali is left heartbroken when her best friend and secret crush, Rahul, falls in love with Tina. Years later, Tina’s young daughter tries to fulfil her mother’s last wish of uniting Rahul and Anjali.
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
Fashion begins in, where aspiring model Meghna Mathur (Priyanka Chopra) expresses her wish to go to Mumbai and pursue her dream of becoming a supermodel. Through her eyes we see that behind the glitz and glamour of the world of fashion not everything is as it seems.
In the harsh terrain of the Mexican desert, a mortally wounded man is left for dead in the heat of the desert sun. This is Jay. Once a street smart, carefree young guy. Now, a wanted man. As death looms, the only thing that keeps him alive is the quest to find the love of his life, Natasha. A woman betrothed to another man, but surely destined for Jay. A woman who comes into his life like a bolt of lightning and changes it forever.
ACP Krishna strives to capture the gangsters who threaten to attack his lover and her family members.
A young idealistic English filmmaker, Sue, arrives in India to make a film on Indian revolutionaries Bhagat Singh, Chandrashekhar Azad and their contemporaries and their fight for freedom from the British Raj. Owing to a lack of funds, she recruits students from Delhi University to act in her docu-drama. She finds DJ, who passed out five years back but still wants to be a part of the University because he doesn’t think there’s too much out there in the real world to look forward to. Karan, the son of Industrialist Rajnath Singhania, who shares an uncomfortable relationship with his father, but continues to live off him, albeit very grudgingly. Aslam, is a middle class Muslim boy, who lives in the by-lanes near Jama Masjid, poet, philosopher and guide to his friends. Sukhi, the group’s baby, innocent, vulnerable and with a weakness for only one thing – girls. Laxman Pandey…
Zooni Ali Beg (Kajol) is a blind Kashmiri girl who travels without her parents for the first time with a dance troupe to Delhi to perform in a ceremony for independence day. On her journey, she meets Rehan Khan (Aamir Khan), a casanova and tour guide who flirts with her. Although her friends warn Zooni about him, she cannot resist falling in love with him and he takes her on a private tour of New Delhi. But there is more to Rehan than meets the eye and Zooni will have to make a heartbreaking decision.
A road trip to Kolkata brings Piku, an architect, closer to her ageing but nagging father Bhaskor Banerjee despite their disparate ideologies and fights over trivial issues.
Phantom is an action thriller that unfolds across various countries around the world. The plot revolves around protagonist Daniyal, whose journey to seek justice takes him from India to Europe, America and the volatile Middle East. However, he finds out that in a mission like this, there is always a price to pay, in this case, a very personal price.
An army major goes undercover as a college student. His mission is both professional and personal: to protect his general’s daughter from a radical militant, and to find his estranged half-brother.
Ajay Rathore is a no-nonsense police officer from Mumbai Crime Branch. Long time ago his elder brother was killed by terrorists which caused him to quit his medical studies and join Indian Police Service. He is a great admirer of Pakistan-based ghazal singer Gulfam Hassan. During one of Hassan’s concerts, they meet for the first time and become great friends. Meanwhile, Ajay’s investigation into the Pakistan-supported cross-border terrorism takes him to Rajasthan and reveals an unsettling truth about someone close to his heart.
A vibrant, hopelessly romantic physiotherapist meets a handsome young Rajput prince who is the complete opposite of her – and is engaged to someone else.
Blackmailed into murdering, a casanova is presented with the opportunity of living two lives. One in which he commits the crime and the other in which he refuses and goes on the run.
Journalist Kavya Krishna loves tycoon Siddharth – who uses and abuses her. How far will Kavya go to get revenge?
The movie begins as an old English woman Amy Wilkinson (Carole Trungmar) almost at her death bed in London, wants to come down to Chennai in search of a young man Parithi (Arya) whom she last saw on 15 August, 1947 to return Thali necklace (sacred thread tied around the neck of the bride by her groom) of his mother, which he gives as a sign of stating that she belongs to India and nobody can separate them. She wants to return that back to him, as she gets married to other man in her home town and it no more belongs to her.
Chulbul Pandey is a corrupt but golden-hearted police officer in the small town of Uttar Pradesh. He dotes on his mother but hates his stepfather and stepbrother. He is at loggerheads with the local politician, Cheddi Singh, who sets the two half brothers against one another.
Raj is a Mafia member. One day he meet a girl (Meera) while chasing by his rival gang and falls in love with her. Later he finds out that this girl is the daughter of the leader of his rival gang. Yet their love story continues until he was shot by his girlfriend upon a deep misunderstanding. After that incident these two lovers lives separate until their siblings fallen in love. With this new love story their paths intertwines again.
Years of friendship, laughter and love shared between two brothers faces the music when a 14 year old boy is confronted with the complexities of a simple relationship.
It is a reincarnation story about the love between Leela and her lover, which is left incomplete because one of them has been murdered. The story comes to circle after 300 long years; when Leela has taken birth as Meera and her lover’s character is also reborn.
Praveen Patel, a 45-year-old married businessman, is approached by Shanaya, an actress, who wants to move in with him to prepare for a role. So he pretends to be single to impress her.
The film is a sequel to Tanu Weds Manu (2011), in which stars Kangana Ranaut (Tanu) and R. Madhavan (Manu) reprise their roles from the original. Tanu and Manu’s marriage collapses. What happens when Manu meets Tanu’s lookalike Kusum – and when Tanu returns? Kangana Ranaut also portrays the additional role of a Haryanvi athlete Kusum in the film.
Dashrath Manjhi was a poor man from the lowest of the low castes, living in a remote village cut off from the world by a rocky mountain range. Life for him was a daily struggle for survival. He loved his wife, Phaguniya, beyond belief. One day, while climbing the mountain to bring him food, his wife slipped, fell and died. Overwhelmed by grief, Dashrath decided to carve out a path through the mountain, so that no one else would suffer his fate. For 22 years, all by himself, with just a hammer and a chisel, he hammered away at the rocks, till the path was carved out from the mountain.
Tamasha is about the journey of someone who has lost his edge in trying to behave according to socially acceptable conventions of the society. The film is based on the central theme of abrasion and loss of self that happens in an attempt to fit in oneself back.