John Waters
Set in a gripping vision of the near future, THE COMMONS is an absorbing character-driven relationship drama and a story about motherhood as the ultimate act of faith in humanity.
After freeing a young Bedouin girl from her unjust imprisonment in Jerusalem, an Australian adventuress, together with her devoted police detective friend, begins to unravel a decade-old mystery concerning priceless emeralds, an ancient curse and the disappearance of the girl’s mother and massacre of her tribe.
Harris Glenn Milstead, aka Divine (1945-1988) was the ultimate outsider turned underground hero. Spitting in the face of the status quos of body image, gender identity, sexuality, and preconceived notions of beauty, Divine succeeded in becoming an internationally recognized icon, recording artist, and character actor of stage and screen. Glenn went from the often-mocked, schoolyard fat kid to underdog royalty, standing up for millions of gay men and women, drag queens and punk rockers, and countless other socially ostracized misfits and freaks. With a completely committed in-your-face style, he blurred the line between performer and personality, and revolutionized pop culture.
A love story about the legendary sexploitation director Joe Sarno and his loyal wife and business partner Peggy. The film relates their part in the history of sex film, their lives between New York and Sweden, and their struggle to produce one last erotic film.
In 1972, a seemingly typical shoestring budget pornographic film was made in a Florida hotel, “Deep Throat,” starring Linda Lovelace. This film would surpass the wildest expectation of everyone involved to become one of the most successful independent films of all time. It caught the public imagination which met the spirit of the times, even as the self appointed guardians of public morality struggled to suppress it, and created, for a brief moment, a possible future where sexuality in film had a bold artistic potential. This film covers the story of the making of this controversial film, its stunning success, its hysterical opposition along with its dark side of mob influence and allegations of the on set mistreatment of the film’s star.
Before forensics, DNA, and CSI we had dollhouses – an unimaginable collection of miniature crime scenes, known as the Nutshell Studies of Unexplained Death. Created in the 1930s and 1940s by a crime-fighting grandmother, Frances Glessner Lee created the Nutshells to help homicide detectives hone their investigative skills. These surreal dollhouses reveal a dystopic and disturbing slice of domestic life with doll corpses representing actual murder victims, or perhaps something that just looks like murder. Despite all the advances in forensics, the Nutshells are still used today to train detectives. Documentary film, Of Dolls and Murder, explores the dioramas, the woman who created them, and their relationship to modern day forensics. From the iconic CSI television show to the Body Farm and criminally minded college students, legendary filmmaker and true crime aficionado, John Waters narrates the tiny world of big time murder.
Wall Writers promises unprecedented access to the early years of American graffiti. Interviews with TAKI 183 and CORNBREAD, along with other legendary artists, illuminated a time when a new form of wall writing emerged from dilapidated city neighborhoods.
In the 1950s, Tab Hunter was number one at the box office and number one on the music charts and was Hollywood’s most sought-after young star. Natalie Wood, Debbie Reynolds and Sophia Loren were just a few of the actresses he was romantically linked to. He was America’s Boy Next Door and nothing, it seemed, could damage Tab Hunter’s career. Nothing, that is, except for the fact that Tab Hunter was secretly gay. Now, the secret is out.
Set over three summers at The Westival, a fictional West Australian rural folk festival redoubtable local radio personality ‘Queenie’ describes as “Australia in a tent”. Two young musicians fall in love against a wider collection of tales dealing with a microcosm of contemporary discussion points, including Indigenous, immigration and refugee issues.
James Rasin’s documentary “Beautiful Darling” honors American Transgender actress and best-known Warhol Superstar, Candy Darling, and her all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling’s movies.
A man’s life is derailed when an ominous pattern of events repeats itself in exactly the same manner every day, ending at precisely 2:22 p.m.
An awkward, unemployed man who can talk to the dead teams up with a rebellious bartender to find the vengeful ghost that’s been terrorizing their town.
Fourteen year old Nim, more determined than ever to protect her island and all the wildlife that call it home, faces off against resort developers and animal poachers. Soon she realizes she can’t depend on her animal cohorts alone and must make her first human friend – Edmund, who’s run away to the island from the mainland – to save her home.
Alienated teen Pauline struggles with the pressures of fitting into high school, pleasing her mother and a burning desire to lose her virginity. With a grotesque curiosity for the darker side of life, Pauline is considered a social outcast by everyone around her. Enticed by flesh, she retreats into her own fantasies and hopes to become a great surgeon – that is, if she doesn’t go insane first.
The killer doll is back! The all-new film is the fifth in the popular series of Chucky (“Child’s Play”) horror comedies. Making his directorial debut is the franchise creator and writer of all five films, Don Mancini. The film introduces Glen (voiced by “The Lord of the Rings” star Billy Boyd), the orphan doll offspring of the irrepressible devilish-doll-come-to-life Chucky (again voiced by series
During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.