The contemporary story of Chinese New Zealand-born over-achiever Emily Chu, raised to believe she can get anything she puts her mind to. Even if ‘anything’ is at odds with her traditional Hong Kong born parents’ wish for her to become a doctor like her two older sisters. Everything is coming up roses – until she meets James, a European New Zealander, and accidentally falls in love with him. But if her father finds out, she will face disownment. By the time Emily realises that she’s sacrificing the respect of her family to follow her heart, James, too, has fallen irrevocably in love and there’s nothing for it but to try and keep their relationship a secret. Happy endings don’t come easy, if at all, but that doesn’t mean they don’t happen. But for Emily to get one, she needs to show James and her family that she has learned a lesson about the selflessness of love.

Stagknight is derived from the uncensored lusty straight-to-Drive-In horrors of the 70’s and 80’s, I Spit on your Grave, The Beast, Samurai Assisan, movies that spawned the mighty Evil Dead, American Werewolf in London, later Aliens. Set deep in dark mythical English woods Stagknight presents a uniquely stupid look at this genre through the cracked “Weekend Warriors” paintball team. This is mansville not boytown on a blow-out bachelor paintball weekender bender of dirty tricks, hot babes and truly splatter-tastic medieval kills to die for.

A genetic engineering experiment gone horribly awry turns a large flock of docile sheep into unrelenting killing machines in this rural horror comedy directed by Jonathan King and featuring special effects designed by Weta Workshop.